Wednesday, August 6, 2008

Final Destination 2 movie review (2003)

A year ago, Alex Browning from the first movie predicted he and his fellow classmates dodged a fatal plane accident, Flight 180, only to find that it put a kink in Death’s design. To right the wrong of them escaping their predetermined deaths, Death kills them in the order they were supposed to die on the plane. The only one to escape her fate was Clear Rivers (Ali Larter), who is now locked voluntarily inside a padded psychiatric cell at a psyche ward. Now, a new person has gotten the same premonition as Alex. Kimberly Corman (A.J. Cook), on a car trip with her friends, sees a terrible traffic accident involving a logging truck while waiting in heavy traffic on an off-ramp. She considers it just a little too freakishly real, so she blocks all the cars on the off-ramp with her car, since they all were killed in her vision. She manages to save all their lives, which ticks Death off again. When lucky lottery-winning survivor Evan Lewis (David Paetkau) is suddenly killed in a bizarre fashion, Kimberly and Officer Thomas Burke (Michael Landes), the cop who pulls her out of the way before she could get run over by the logging truck, begin to question if the curse that afflicted Alex and his friends is happening all over again. Kimberly tracks down and seeks the help of Clear, who at first isn’t too eager to relive the horror. Together they gather the rest of the survivors, including Kat (Keegan Connor Tracy), Eugene (Terrence “T.C.” Carson), Rory (Jonathan Cherry), Nora Carpenter (Lynda Boyd), her son Tim (James N. Kirk), and others try to steer clear of being the next in line to die. Based on some obscure advice of Mortician William “Bill” Bludworth (Tony Todd), they figure the only way they can cheat Death is to track down a pregnant woman and keep her alive long enough to have her baby, so they break the Death rule and create life instead of take it (or something like that.)
Final Destination 2 movie features a young woman who inadvertently cheats death when a vision of a horrible accident convinces her to change her road-trip route. When the accident occurs shortly thereafter, she realizes that the vision she had was actually a premonition. As a result of her swift action, other people who should have died in the accident are also spared. Needless to say, this pisses Death off, prompting him/her/it to pursue those who escaped his/her/it's clutches.

Sure, they replace a plane accident with a car accident, but what this sequel lacks in an original plot makes up for in some delicious horror fun. The star of this movie is the special effects. For some reason, Death couldn’t just run them over with another car or give them a heart attack. No, they had to die in some of the nastiest ways I’ve ever seen in a horror movie (which means parents should take note that this one is not for the easily offended or easily disgusted.) There is one scene involving barbed wire that brings up memories of the impressive opening scene of last year’s Ghost Ship. If you like gross special effects, this one is for you.

Director David R. Ellis is very competent in his use of gore and many of the "Death" sequences are well executed, most notably an intense and visually gripping car pile up early on in the picture.

The more impressive thing about the creative deaths in this movie is that they truly come at you surprisingly. Unlike last week’s Darkness Falls (see my review), you don’t see many of the deaths coming.

The bottom line is, Final Destination 2 isn't scary in the slightest, but it is extremely funny, very gory, and mildly entertaining. It also features some nifty "death" sequences. I'd also like to mention that Final Destination 2 never bored me. That, in itself, says something.

The Recruit movie review (2003)

In the thriller, Colin Farrell plays a computer expert who is recruited by a veteran CIA operative played by Al Pacino. Through a series of intense training exercises, Farrell is soon unable to distinquish reality from the CIA tests.

Farrell is an exciting, energetic talent, and while this particular part isn't exactly ripe with texture, he brings a lively bravado to the role. Pacino turns in yet another solid performance, and nearly every line of dialogue he utters, comes across as natural. What's most fun about his turn in The Recruit is how he toys with Farrell and the audience. We're never really sure whether he's bad or good until the very end of the movie, even though the obvious screenplay dictates the answer to that question relatively early on.

The Recruit was directed by Roger Donaldson who's made impressive thrillers before (see the engrossing Thirteen Days and the nail biter No Way Out). While I was entertained and enjoyed the quick pace of this movie, I was never completely won over because it was either a tad too predictable or just a little too over the top.
Overall, The Recruit was a fun time thanks mostly in part to two actors from different generations who really seem to relish playing off of each other. A similar dynamic was on display in A Few Good Men, as Jack Nicholson and Tom Cruise went at each other with absolute ferocity. While The Recruit is certainly on a smaller scale, Pacino and Farrell make the most of what they have to work with.
movie reviews, pda movies
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